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KF5JRV > TODAY    30.10.18 12:23l 86 Lines 4622 Bytes #999 (0) @ WW
BID : 23987_KF5JRV
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Subj: Today in History - Oct 30
Path: IW8PGT<CX2SA<N3HYM<N9PMO<AB0AF<KF5JRV
Sent: 181030/1120Z 23987@KF5JRV.#NWAR.AR.USA.NA BPQ6.0.16

Orson Welles causes a nationwide panic with his broadcast of “War of the
Worldsö—a realistic radio dramatization of a Martian invasion of Earth.

Orson Welles was only 23 years old when his Mercury Theater company
decided to update H.G. Wells’ 19th-century science fiction novel War of
the Worlds for national radio. Despite his age, Welles had been in radio
for several years, most notably as the voice of “The Shadowö in the hit
mystery program of the same name. “War of the Worldsö was not planned as
a radio hoax, and Welles had little idea of the havoc it would cause.

The show began on Sunday, October 30, at 8 p.m. A voice announced: “The
Columbia Broadcasting System and its affiliated stations present Orson
Welles and the Mercury Theater on the air in ‘War of the Worlds’ by H.G.
Wells.ö

Sunday evening in 1938 was prime-time in the golden age of radio, and
millions of Americans had their radios turned on. But most of these
Americans were listening to ventriloquist Edgar Bergen and his dummy
“Charlie McCarthyö on NBC and only turned to CBS at 8:12 p.m. after the
comedy sketch ended and a little-known singer went on. By then, the
story of the Martian invasion was well underway.

Welles introduced his radio play with a spoken introduction, followed by
an announcer reading a weather report. Then, seemingly abandoning the
storyline, the announcer took listeners to “the Meridian Room in the
Hotel Park Plaza in downtown New York, where you will be entertained by
the music of Ramon Raquello and his orchestra.ö Putrid dance music
played for some time, and then the scare began. An announcer broke in to
report that “Professor Farrell of the Mount Jenning Observatoryö had
detected explosions on the planet Mars. Then the dance music came back
on, followed by another interruption in which listeners were informed
that a large meteor had crashed into a farmer’s field in Grovers Mills,
New Jersey.


Soon, an announcer was at the crash site describing a Martian emerging
from a large metallic cylinder. “Good heavens,ö he declared,
“something’s wriggling out of the shadow like a gray snake. Now here’s
another and another one and another one. They look like tentacles to me
… I can see the thing’s body now. It’s large, large as a bear. It
glistens like wet leather. But that face, it… it … ladies and gentlemen,
it’s indescribable. I can hardly force myself to keep looking at it,
it’s so awful. The eyes are black and gleam like a serpent. The mouth is
kind of V-shaped with saliva dripping from its rimless lips that seem to
quiver and pulsate.ö

The Martians mounted walking war machines and fired “heat-rayö weapons
at the puny humans gathered around the crash site. They annihilated a
force of 7,000 National Guardsman, and after being attacked by artillery
and bombers the Martians released a poisonous gas into the air. Soon
“Martian cylindersö landed in Chicago and St. Louis. The radio play was
extremely realistic, with Welles employing sophisticated sound effects
and his actors doing an excellent job portraying terrified announcers
and other characters. An announcer reported that widespread panic had
broken out in the vicinity of the landing sites, with thousands
desperately trying to flee. In fact, that was not far from the truth.

Perhaps as many as a million radio listeners believed that a real
Martian invasion was underway. Panic broke out across the country. In
New Jersey, terrified civilians jammed highways seeking to escape the
alien marauders. People begged police for gas masks to save them from
the toxic gas and asked electric companies to turn off the power so that
the Martians wouldn’t see their lights. One woman ran into an
Indianapolis church where evening services were being held and yelled,
“New York has been destroyed! It’s the end of the world! Go home and
prepare to die!ö

When news of the real-life panic leaked into the CBS studio, Welles went
on the air as himself to remind listeners that it was just fiction.
There were rumors that the show caused suicides, but none were ever
confirmed.

The Federal Communications Commission investigated the program but found
no law was broken. Networks did agree to be more cautious in their
programming in the future. Orson Welles feared that the controversy
generated by “War of the Worldsö would ruin his career. In fact, the
publicity helped land him a contract with a Hollywood studio, and in
1941 he directed, wrote, produced, and starred in Citizen Kane—a movie
that many have called the greatest American film ever made.

73 de Scott KF5JRV

Pmail: KF5JRV@KF5JRV.#NWAR.AR.USA.NA 
email: KF5JRV@ICLOUD.COM



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